Partitions Numériques de Sam M pour Clarinette Basse

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Sam M
Non classifié 509

Piano & claviers
Piano seul 280
Piano Facile 138
Piano, Voix et Guitare 85
Piano, Voix 80
Instruments en Do 16

Orgue 11
Piano grosses notes 10
1 Piano, 4 mains 5
Piano Trio: piano, violon, violoncelle 4
Accordéon 3
Piano Quatuor: piano, violon, alto, violoncelle 3
Orgue, Piano (duo) 3
2 Pianos, 4 mains 2
Piano (partie séparée) 2
Orgue, Trompette (duo) 1

+ 10 instrumentations

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Guitares
Guitare notes et tablatures 30
Ligne De Mélodie, (Paroles) et Accords 24
Ukulele 14
Paroles et Accords 14
Guitare 11

Mandoline 5
Basse electrique 5
2 Guitares (duo) 4
Piano, Guitare (duo) 4
Banjo 2
Guitare (partie séparée) 2

+ 6 instrumentations

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Voix
Chorale SATB 85
Chorale 3 parties 26
Chorale TTBB 15
Chorale 2 parties 11
Voix seule 7

Chorale SSAA 7
Chorale Unison 7
Voix haute 5
Chorale 3
Chorale SSAATTBB 2
Voix duo, Piano 1
Voix duo 1
Voix moyenne, Piano 1
Voix Moyenne 1
Voix Soprano 1
Voix basse 1
Voix basse, Piano 1

+ 12 instrumentations

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Vents
2 Saxophones (duo) 33
Saxophone (partie séparée) 31
2 Flûtes traversières (duo) 28
Flûte traversière 25
Flûte traversière et Piano 25

Saxophone Alto 23
Clarinette 22
Clarinette et Piano 17
2 Clarinettes (duo) 16
Hautbois, Piano (duo) 16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 14
Quintette de Saxophone: 5 saxophones 13
Hautbois (partie séparée) 11
Saxophone Alto et Piano 10
Saxophone Tenor et Piano 9
Flûte, Hautbois, Clarinette, Basson 8
Saxophone Tenor 8
2 Hautbois (duo) 8
Quatuor de Saxophones: 4 saxophones 7
Saxophone Soprano et Piano 6
Saxophone, Clarinette (duo) 6
Ensemble de saxophones 6
Clarinette, Violon (duo) 6
Clarinette (partie séparée) 5
Ensemble de Clarinettes 5
Flûte à bec Soprano 5
Quatuor de Clarinettes: 4 clarinettes 5
Saxophone Baryton, Piano 5
Clarinette, Trompette (duo) 4
Ensemble de Flûtes 4
Flûte, Clarinette (duo) 4
Clarinette Basse, Piano 4
Flûte, Violon 4
Clarinette et Alto 3
Flûte à Bec 3
Hautbois, Basson (duo) 3
Quatuor de Flûtes : 4 flûtes 3
Flûte et Guitare 3
Flûte, Alto (duo) 3
Hautbois, Clarinette (duo) 2
2 Cors Anglais Et Pianoforte 2
Hautbois, Flûte 2
Hautbois, Violoncelle 2
Flûte, Trompette (duo) 2
Cor anglais, Piano 2
3 Saxophones (trio) 2
3 Clarinettes (trio) 2
Harmonica 2
Flûte, Saxophone (duo) 2
Instruments en Mib 2
Clarinette, Guitare (duo) 2
Clarinette, Violoncelle (duo) 2
Flûte, Violoncelle 1
Flûte, Hautbois (duo) 1
Trio de Flûtes: 3 flûtes 1
Flûte, Hautbois, Basson 1
Flute (partie séparée) 1
Flûte à bec Alto 1
Cornemuse 1
Clarinette Basse 1

Flûte, Clarinette et Basson 1
Clarinette, Harpe (duo) 1
Hautbois, Harpe 1
Quintette de Flûte : 5 flûtes 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Hautbois et alto (duo) 1
Flûte, Hautbois, Piano (trio) 1

+ 62 instrumentations

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Cuivres
Trompette 24
Trompette, Piano 16
Trombone 16
Quatuor de Cuivres : 2 trompettes, trombone, tuba 16
Cor et Piano 14

Cor 13
Trompette (partie séparée) 12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 11
2 Trombones (duo) 8
Trombone et Piano 7
Euphonium, Piano (duo) 6
Trombone (partie séparée) 6
2 Cors (duo) 6
2 Trompettes (duo) 5
2 Tubas (duo) 5
Trompette, Trombone (duo) 5
Tuba 4
Trio de Cuivres 4
2 Euphoniums (duo) 4
Trompette, Saxophone (duo) 4
Ensemble de Trombones 4
Ensemble de Trompettes 3
Tuba et Piano 3
Bass Clef Instruments 3
2 Cors Anglais Et Pianoforte 2
Euphonium 2
Cor anglais, Piano 2
Tuba et Orgue 2
Quatuor de cuivres: 4 cors 1
Cor (partie séparée) 1
4 Tubas 1
Quatuor de cuivres: 4 trombones 1
Trombone, Tuba (duo) 1
Ensemble de Cors 1
Instruments en Sib 1
Euphonium, Tuba (duo) 1

+ 31 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 188
Violon, Violoncelle (duo) 144
Violon 137
Trio à Cordes: violon, alto, violoncelle 126
2 Violoncelles (duo) 34

Quintette à cordes: 2 violons, alto, violoncelle, basse 24
Violon et Piano 22
Alto, Piano 20
Violoncelle (partie séparée) 17
Alto seul 17
Violoncelle, Piano 16
Harpe 15
2 Violons (duo) 11
2 Altos (duo) 10
Violon, Alto (duo) 10
Contrebasse, Piano (duo) 8
Violoncelle 7
Alto (partie séparée) 6
Contrebasse (partie séparée) 5
Violon (partie séparée) 4
Trio à Cordes: 3 violoncelles 2
Ensemble d'Altos 2
2 Violons, Piano 2
Ensemble de Violons 2
4 Violoncelles 2
2 Contrebasses (duo) 2
Violoncelle, Contrebasse (duo) 2
Violon, Guitare (duo) 1
Contre Basse 1
Trio à Cordes: 2 violons, violoncelle 1
Violoncelle , Guitare (duo) 1
2 Harpes (duo) 1
Violon, Basson (duo) 1
Alto, Violoncelle (duo) 1
Alto, Guitare (duo) 1
Harpe (partie séparée) 1
Harpe, Violon (duo) 1
Harpe, Flûte (duo) 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Trio à Cordes: 2 violons, alto 1
Alto et Harpe 1

+ 36 instrumentations

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Percussions & orchestre
Orchestre à Cordes 111
Orchestre 28
Cloches 28
Orchestre d'harmonie 27
Ensemble Jazz 13

Jazz combo 12
Ensemble de cuivres 8
Batterie 8
Orchestre de chambre 7
Fanfare 5
Ensemble de Percussions 4
Batterie (partie séparée) 3
Percussion (partie séparée) 1
Vibraphone 1
Timbales (partie séparée) 1
Marimba 1

+ 11 instrumentations

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Artistes :
• Cooke, Sam
• Phillips, Sam
• Smith, Sam

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Sam M

Clarinette Basse

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Saint-Saëns: The Swan for Bass Clarinet & Piano

Saint-Saëns: The Swan for Bass Clarinet & Piano #Clarinette Basse #INTERMÉDIAIRE #Classique #Camille Saint-Saens #James M #Saint-Saëns: The Swan for #jmsgu3 #SheetMusicPlus

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...(+)

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.

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